Inclusive artists commissions/partnerships

Ongoing

Check out some of the projects we are supporting in 2025 - 2026.

A range of artist led collaborations seeking to ensure equity across our programme, exploring and tackling inequity through artistic workforce under-representation and through their participatory practise, communities and settings. 

Narrative Shift by Amy Langdown

‘Narrative Shift’ was a Helix Arts commission produced by artist Amy Langdown — a queer, neurodivergent, and disabled writer, facilitator, producer, and artist based in the North-East.

Over the course of their career, Amy worked with various charities to deliver accessible workshops in art, writing, drama, signing, and more, engaging young people and adults from underserved communities. Their practice centres around participatory arts, with a deep commitment to making creativity more inclusive and demonstrating the powerful impact of the arts on mental and physical wellbeing.

With ‘Narrative Shift’, Amy aimed to reshape the conversation around queerness and disability. Through a series of spoken word poetry workshops, they spotlighted the voices of those who are too often spoken for rather than heard — empowering participants to reclaim their narratives.

Attendees created personal poems and collaborated on group pieces, using poetry to challenge stereotypes and celebrate identity. The project culminated in a joyful showcase event in May 2025, where the work was performed and shared with the public.

Queer pleasure Archive with Sarah Li

Artist Sarah Li collaborated with a select group of LGBTQ+ individuals based in the North-East of England — all connected to her LGBTQIA+ community — to explore the layered meaning of “pleasure” within a Queer context.

Together, they delved into how Queer pleasure could be documented, examining its ties to activism, the ways it was experienced, and the barriers that stood in the way.

The project worked towards building an archive that addressed gaps left by historical oppression, creating space for positive Queer experiences to be shared and accessed by researchers and the wider LGBTQIA+ community alike. Participants were empowered to uncover their own histories and connect more deeply with their identities.

This journey culminated in a powerful exhibition and Queer pleasure performance party held at Helix Arts in June 2025, alongside a lasting digital legacy and touring elements that extended the conversation beyond the region.

As a key outcome, the group also developed a methodological toolkit for Queering archives — a resource designed to inspire future projects and radically expand how Queer stories are preserved and celebrated.

Check out the interactive digital exhibition here. 

A digital promotional poster for "Queer Pleasure Archive," an exhibition and performance event by Helix Arts. At the top, the title "QUEER PLEASURE ARCHIVE" appears in bold green capital letters. Below, a photograph features a person partially submerged in water, surrounded by lush green leaves. A caption credits photographer Emma Bentley-Fox for capturing the image in 2025, as part of artist Sarah Li’s project, "The Queer Pleasure Archive." The event details follow: "Saturday 14th June, 6pm-10pm – Opening night + DGA performances." The exhibition continues from "Monday 16th June – Friday 27th June." At the bottom, logos for Helix Arts, Newcastle City Council, and Arts Council England indicate support and funding.

Motherother 2.0 with Sue Loughlin

MOTHEROTHER is an inclusive and supportive collective for artists who are also caregivers. The term caregiver applies to the broad spectrum of parents, guardians and carers across our community.

MOTHEROTHER is an artist led initiative founded by Sue Loughlin and supported by Lady Kitt, Dan Russell and Cheryl Gavin.

Penguin with Amy Golding

Penguin is a ACE and NSCQ funded performance which explores the story of Hamzeh.

Hamzeh is a young disabled man from Syria who has ended up living here in the North East after having to flee his home due to the war. He spent 6 years living in a refugee camp in Jordan before coming to the UK. The play tracks Hamzeh’s physical journey from Syria to the UK but also his journey to self acceptance around his disability.

Showcasing at The Exchange 1856 in September, the NTCEP is also supporting this production through connections to local secondary schools who will have the opportunity to host the performance and take part in a workshop exploring the themes.

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